Welcome to Metallurgy my reading guide through he DC event Dark Nights: Metal, a DC Event. In this entry we have the second issue of Metal as well as the beginning of tie-in crossover "Gotham Resistance" Note: If you are going to read "Gotham Resistance Part 1" in Teen Titans, read Metal #2 first.
Metal #2 Written by Scott Snyder Illustrated by Geg Capullo Inked by Jonathan Glapion Colored by FCO Plascencia |
First issues to big events like Metal are easy, like a loud opening power chord, it just has to set
the tone and announce itself. With issue #2 Scott Snyder, Greg Capullo, and the
rest of the art tea now have to begin telling a story. With such an outsized
tone, it would be easy to see Metal as
a camp exercise. One gigantic riff on the DC lore while telling a blockbuster
adventure. Metal is a gigantic riff
on DC lore, and a blockbuster, but it’s one with heart.
Leading into Metal,
Scott Snyder talked about how the series revolved around a mystery Batman
didn’t want to solve. A mystery the Detective didn’t want solved!? That goes
against nearly 50 years of obsessive storytelling what could cause that? He’s
scared, more scared than he’s ever been. Showing fear in the Dark Knight is
tricky for Greg Capullo. His costume is supposed to create the feeling of
unease, to mask his humanity and project something greater. With white pupiless
eyes, you could make them grow large but that connotes shock not fear.
The creative team smartly represent Batman’s fear to the
reader by externalizing it, instead of internalizing it. Batman’s fear is
represented by the fear in the moral heart of the DCU, Superman.
“We’ve been friends a long time, I know your heartbeat
nearly as well as Lois.” That is a profound statement on the intimacy of their
relationship. As the scene progresses and Superman realizes the ruse there is
still an emotional truth to both Clayface’s performance and Superman’s
instincts. Batman has been transmitting his heartbeat, he really is frightened
and that makes Superman scared for everybody.
As touching, and emotionally grounding, that sequence is,
this is still Metal. One of the
things that makes this series not feel like false drama is how playful it is
with the iconography of DC comics and Metal
#2 reintroduces an old friend. The council of immortals led by Vandal
Savage, first introduced in Dark Days:
The Forge, official clubhouse is the layer of the Legion of Doom from Super Friends! The council has come
together to implement their own plan to combat Barbatos. They want Kendra
Saunders to fire the astral brain of the Anti-Monitor (what?!?) into the heart
of the multiverse from The Wizard’s Rock of Eternity. That plan sounds like a
bad idea, as the ones cooked up by any group of immortals tend to be, but man
that could be an awesome splash page from the art team.
It isn’t like Batman has a better plan either. His plan is
another indication of just how scared he is. Using Baby Darkseid’s omega beams
to send him back in time to kill Barbatos and possibly erase himself form
existence, is a tad extreme and desperate. He questions the incorporeal Dream
if he’s doing the right thing as he wanders through the Valley of Kings.
Desperate, and frightened he maybe, that is still a very Batman plan. And no
one, not even the other members of the Trinity can talk him out of it.
By riffing on the DCU lore and iconography there was already
an element of light reflexivity to the series. It’s part of the charm of
speaking in reference, if the audience understands it they feel better. If they
don’t, well, hopefully you’re telling a good story by itself. How Scott Snyder and the letter use full
reflexivity, by crossing out the location annotation of “Valley of Kings” with
“Tomb of Hath Set,” read like the equivalent of Quentin Tarantino blaring the “Iron Side Siren” in Kill Bill. You just know it’s about to
go down and the drama just got turned up to 11. In both cases these are not cheap
triggers, they are both moments grounded in earned drama.
Of course, it all goes wrong, Batman is finally anointed
with the fifth metal “Batmanium.” And the portal is opened, with Barbatos and
his Dark Knights waiting to waltz right in. Back at SDCC ’17 DC released a
teaser image of some of these evil Batmen, but getting to see Greg Capullo and
companies rendering of the characters made them more fearsome. They aren’t
abstract representations but now fit within the aesthetic of the series.
With the conclusion of Metal
#2, the event and series hit an act break. Now the crossovers (“Gotham
Resistance” and “Bats Out of Hell”) and various one shots can begin. And
surprisingly, I’m kind of interested in all of it.
Teen Titans #12 “Gotham Resistance Part 1 – The Riddler’s Labyrinth” Written by Benjamin Percy, Illustrated by Mirka Andolfo, Colored by Romulo Fajardo Jr. Lettered by Corey Breen |
With the release of Metal #2 the event begins a 4 issue crossover between Teen Titans, Nightwing, Suicide Squad, and Green Arrow known as “Gotham Resistance.” As with any crossover of this type, I don’t expect “Resistance” to bring about some sort of profound character statement for the cast. Green Arrow and Teen Titans writer Ben Percy is pretty much writing the standard interpretation of all oft these characters. It is, however, a nice excuse to play in this new sandbox Metal has plunked down in the middle of the DCU.
Despite getting a splash page and some follow up dialogue
about being able to hear the screams, Metal
moved on pretty fast from the whole Challengers Mountain suddenly
appearing, and wreaking destruction, all over Gotham City. Dealing with this
new environmental hazard is what the cast of “Resistance” is up to. As Gotham
has been transformed not just into a wrecked city but one cut off from the
outside world. Making this perhaps decent justification for the bog-standard
spectacle of mass destruction these types of event series create.
For its part, Teen
Titans and Ben Percy do a fine job setting up and justifying the cast of
this crossover. Damian is searching for Bruce. Nightwing wouldn’t let anything
like this go unchecked. Harley Quinn and Killer Croc are on unspecified Task
Force X “business” and have a good amount of city pride. The only one who
stands out, because of his lack of direct Gotham ties, is Green Arrow. Ollie’s
around because: people need help and something something I lost my city
something something, you’ve heard the speech before.
Trying to bring Gotham back isn’t the only point of Metal tie in. Since this takes place
after the events of Metal #2 the Dark
Knights of Barbatos have been unleashed. Their leader, The Batman who
Laughs(aka Judge Death if he wanted to run around as a leather daddy), is
running around Gotham City and dealing in the cities most well-known rogues for
a game of their choosing. With special metal playing cards each rogue gains
dominion over a section of Gotham City and can reshape reality as they see fit,
further transforming Gotham City into the post-apocalyptic Ba Sing Se of the
Avatar universe.
The first rogue the group runs into is a powered up Riddler,
who looks like he just went to a KISS concert, and his M. C. Escher inspired
labyrinth. Mirka Andolfo does a good job laying into the Escher style on a few
pages, but everything still reads a bit to safe. There isn’t anything extra
asked of the reader to make sense of these page layouts. Everything about Teen Titans #12 is just a little too
compact for how expansive and experimental the setup is. Worse there aren’t any
really good Labyrinth deep cuts.
Saying that this crossover feels inconsequential the Event
overall seems like the wrong message to take. According to Snyder the main
“story” of Metal will be contained to
his core series. This crossover and “Bats out of Hell” (in the pages of The Flash, Hal Jordan and the Green Lantern
Corps, and Justice League) are
supposed to be siloed away. Although the solicits for the “Bats out of Hell”
books imply a closer connection. “Gotham Resistance” has thus far made a good
accounting for itself, a fun little side adventure as part of the overall Metal
tapestry. Seriously, some of the preview art looks pretty bonkers. It just
doesn’t appear to be super important for putting together and understanding the
finale in 4 months either.
Next Time in the pages
of Metallurgy: Gotham Resistance Part 2 and Batman: The Red Death.